Tony Williams

Tony was a boyhood friend of previous Tull members and actually auditioned in 1968 when Martin Barre was hired. In 1978, he joined Tull for the Bursting Out tour due to Glascock's heart surgery.

He currently operates his own public relations consulting agency and devotes much time to elephant conservation causes. Tony can be emailed at stealerswheel@aol.com.

A FEW WORDS FROM TONY

Getting the Tull gig was a big move up for me and one of the most testing musical things I ever had to do. I'd had very little experience of large live gigs the biggest up to then being Loughborough University on one of the rare Stealers Wheel gigs where everyone in the band actually turned up.

I had enjoyed some chart success and exposure both with my own single 'Lazy River' and with the Stealers album but touring was new to me. It was also a little strange as I knew that it was John Glascock's gig and his misfortune had provided an opportunity for me. Ian was extremely helpful explaining different bass riffs and changes and by the time we started the North American tour I was about 70% okay with the songs.

I had sat up until the small hours listening to a mix of the songs that Martin had put together, however he had literally cranked the bass part up so loud that I couldn't hear the other instruments or Ian's vocals and as I didn't know a single Tull composition, I had to learn the lot 'Parrot' fashion. When we got to rehearsals Ian would shout out a song title and I would ask which one is that, is it dum-de-dum de - dum-dum or dum-dum-dum-de-de-dum?

After a couple of duff warm up gigs at the start of the tour I managed to get through the Madison Square TV show intact. After that it was plain sailing.

It was the longest I had been away from home and to say I got distracted and reckless a few times would be a fair observation and criticism, but I was on the best vacation of my life playing with one of the world's top bands and getting paid to do it. I was loving it. Ian and I are almost exactly the same age and birth sign and our sense of humour was very similar, sometimes also very cutting to others and each other.

We had some great laughs with tomato ketchup, polystyrene cups and plastic forks and caused some near panic situations with tour managers. Most nights Ian, Clive, and I played cards before each show. Tull was not the drug fuelled wild band that most American's thought. The only addiction that was rife in the band was tea. At the end of the tour I was drained and elated to be going home.

I think I seriously wished that I could have continued in the band but I knew it was John's job and that he would be aching to get back playing. However I had also seen the 'rot' starting and the underlying trouble in the ranks and figured things wouldn't last and they didn't. Perhaps if John had lived things may have been different but I felt that the 'spirit' of the band was slipping away when I went to see them a few months later.

I haven't seen the band play for almost ten years. I must make the effort and get to a gig.
I was in New York before Christmas and was pleasantly surprised to hear "Solstice Bells" all over the place. It's very popular in Macy's..

These days I spend most of my time working in elephant conservation. I have an office at Blackpool Zoo and I am the elephant core group PR representative for the Federation Of Zoological Gardens of Great Britain an Ireland.

I also do work in Guwahati in India where we recently introduced a micro chipping project to prevent the illegal trade of captive elephants and we I am working with the Sri Lanken Government and The Indian Elephant foundation in Delhi to introduce a Satellite Positioning programme for wild male elephants.

I still play with my own band when I have time, mostly local clubs and bars around Blackpool.